Bacon as a prose stylist

Posted on 22 September 2011 by Aajiz

Bacon’s Style

In fact, the secret of Bacon’s style strength lies in its brevity. Virtually no writer, ancient or modern, has managed to compress so much in so little meaning compass, various tests, such as “studies and negotiations” – are marvels of condensation Perhaps the most. Bacon’s style is fascinating that no one can remain indifferent. In other words, as a prose writer is passionate admirers or detractors. It is interesting to note that these two extremes are caused by the same style properties. Bacon, inaugurated the modern era of English prose. FG Selby says,

“Part of the influence of Bacon is obviously the charm of his style”

“The quality of the force in the style of bacon is intellectual rather than emotional”

To be sure there is a marked difference in the style of his earlier trials and his family later. But the important fact is that the difference is one of the approach and not a technology. Test Bacon originally thought to be anything but a newspaper “dispersed meditations.” Therefore, the previous tests are rare and lapidary scrawl of his remarks on domestic issues, political, intellectual, moral, religious and social. Consequently, the informed reader can see that these tests are only skeletons of thought grouped around a single theme. “On education” in this category. In this essay, we see that Bacon is a quick and chatty writing — almost as if speaking to himself:

“Men despise Crafty studies, simple men admire them, and wise-use”

Allusions In Bacon’s Style

It should be noted that the aphoristic nature of the dictionaries can be found in his essays later. The difference is that, over time, Bacon, tongs tonic-strong rhythm of his sentences. This is because; he realized that his rapidly growing readership consists of people with tastes and reading skills. We compare the pace of the above lines of that rite of passage into “difficulties”, which is one of his later essays:

“We see in needle works and embroideries, it is more pleasing to have a lively work upon sad, solemn ground, than to have a dark and melancholy work upon a lightsome ground”

The brilliant rhetoric is the same in both passages. So it is concise and succinct vigor. Although Bacon’s penchant for juxtaposition of thesis and antithesis is seen in both cases. The main difference is that the first pass, it is designed so that Dean Church was moved to say that the words “

“… Down likes a hammer …”

By contrast, the second passage flows more smoothly, like a melody at once. In its early days, Bacon made his concise style ignoring superfluous adjectives, conjunctions and connectors. Later, aims to craft balanced sentences, consisting of two parts. The first part is a declaration and the second is an explanatory analogy. For example:

“He that hath wife and child hath given hostages to fortune; for they are impediments to great enterprises either of virtue or mischief”

Bacon phrases are modern in structure than the other Elizabethan prose being sharper and less involved. Even in its more complex sentences are built with such care and inversions in a free way that is not hard to catch. Essays, in particular, are significant, and the balance point, of course, cannot wait for their aphoristic style. This is really strange when you consider that he also wrote sentences like this:

“A lie faces God and shrinks from man”

Or this

“The ways to enrich are many, and most of them foul”

It ‘true that the cavalier attitude of the grammar is clearly visible in the second sentence. But most people would agree that they have no problem understanding what the writer has to say. It should be noted that the age of Bacon, little attention was paid to the logical division of the subject to pieces. One of the pleasurable aspects of Bacon’s style is to use his images and, as a result. Consider the termination of his pride, “self-righteousness”:

“The fly sat upon the axle-tree of the chariot wheel said,
what a dust do I raise?”

Two Bacon’s Style As Conclusion:

The above analysis shows that Bacon had two styles of writing. Rather, you can say it was the same style, which has applied in different ways, if the situation demanded. Surely this is just one of the reasons why his admirers claim to be one of the greatest prose stylists in English.

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  1. Style Given By O’Henry in “The Last Leaf” | English Literary Society - Free Study Guides - Textbooks - Articles Says:

    [...] After the whole discussion, we can say that ‘The Last Leaf’ is also after “The Gift of The Magi” O’ Henry’s masterpiece. ‘The Gift of the Magi’ held so much popularity that many writers wrote OPERAS and many singers sang that OPERAS. These short stories are derived from the life of the ordinary people in New York City. O’ Henry uses twist plot in his stories, which turn on ironic or coincidental circumstance. Although some critics are not so enthusiastic about his work yet the public loves it. The Last Leaf Study Guide By M Zaman Ali. [...]

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